press
Postcard from Hong Kong
Is a shipping container a good metaphor for a white cube, or vice versa? A survey of the city’s current art scene, from new to old to reopened spaces BY PABLO LARIOS…
Category: Updates
Creative Operational Solutions Opens in Hong Kong
CREATIVE OPERATIONAL SOLUTIONS Para Site, Hong Kong Dec. 10, 2016 – Feb. 26, 2017 Opening Reception: 9 December, 2016, 7-9pm, Talk at 6:30pm A conversation between Prem Krishnamurthy, Cosmin Costinas, Maayan Strauss,…
Container Artist Residency in Artsy Editorial
Container Artist Residency ranks among some of the most unusual artist residencies.
Artists-In-Residence Announced
Container Artist Residency and ZIM Integrated Shipping Services are pleased to announce the seven recipients of the Container Artist Residency 01, the inaugural edition of a unique artist-in-residence program that takes place…
Meet the Jurors
Container Artist Residency 01 is pleased to be working with esteemed curators Sofia Hernandez Chong Cuy, Niels Van Tomme, and Xiaoyu Weng
Press
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Creative Operational Solutions opens tonight Dec 9 @ParaSite_HK from 7–9pm with conversation at 6:30.… https://t.co/5wqtzn8vQdDec 9
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See Samson Young's soundscapes in Creative Operational Solutions opening Dec 9 at @ParaSite_HK !… https://t.co/16amujJx4KDec 8
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The first exhibition of CAR01 artists, "Creative Operational Solutions" opens tomorrow in Hong Kong!… https://t.co/La6sloA7RCDec 8
References
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The Ocean After Nature
The Ocean After Nature is an exhbition at the Yerba Buena Center for the Arts that considers the ocean as a site reflecting the ecological, cultural, political, and economic realities of a globalized world through the work of twenty artists and collectives
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Keller Easterling
Extrastatecraft: The Power of Infrastructure Space (2014), a book about the intricacies of political power in our globalizing world
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Peter Hutton
Peter Hutton was an American filmmaker who spent many years of his youth at sea in the US Merchant Marine. His celebrated films, widely acclaimed for their luminous integrity, blurred the divide between still photography and cinema. (BOMB Magazine)